Scriptura Production Studio · Invitation Suite

EMILY & STEVEN

March 14, 2027 · New Orleans — the invitation, one sheet of paper at a time

The Stack

The invitation, layer by layer. The gold frame stands 340 mm over the 10.5 in Voinche panel, bottom-registered; four pill dies read as architectural bands, and five colored Voinche menu cards tuck in as the final layers, banding tight around the panel. Click a layer to inspect it, tap palette chips to recolor, and drag Explode to fan the stack in assembly order.

340 mm
Stacked view — stack 203 × 267 mm with piers · frame H 340 mm, bottom-registered (die max 370 × 290)

    Stained Glass Studio

    The six production passes, pane by pane — the one-color metal masters with every opening traced from the cut file — pick a glass color, then tap panes to lead them in. In production these are vellum or iridescent film glued behind the gold tracery.

    Glass palette

    How it's made
    Gold 350gsm is laser-cut; colored vellum / iridescent film pieces are glued behind the tracery zones. Fewer distinct colors = fewer film pieces to cut — the counter below tracks it.
    Film pieces in this design

    The Insert Suite also the website nav

    Eight tabbed cards on the Whann Arch steel die — 5 × 7 in measured — eight papers from the palette. Each card maps 1:1 to a page of the wedding site — hover or tap a tab, then tap a chip to recolor that card.

    Suite Pieces

    The rest of the weekend, at true relative scale — every shape is its catalog die. Pick a paper color below, then tap any piece to paint it. Tap a gatefold to swing its doors open.

    gatefold: quarter-arch pair on a Whann backer · menus: KEENER, Voinche, and the three pills · info: Thomas + Voss

    Save the Date both dies in catalog

    The volvelle, fully art-directable — Celestial prints digitally, so any palette color goes anywhere. Start from a preset, then repaint stripe by stripe; size the lettering to taste; spin. Celestial 2 (window disc) turns over the scalloped Celestial base on a brass brad.

    Celestial prints digitally — no color limits. Pick a palette chip, then tap any stripe, the scalloped rim, or the medallion to repaint it. Presets below reset the pattern.

    Celestial 2 top disc (wedge window + center hole) · Celestial scalloped base · brad through center — zero new tooling.

    Palette

    From the planning workbook — thirteen approved colors. Periwinkle is in; French blue stays a small grounding note.

    Die Assignments

    Measured at 1x from the artboards: Voinche 115 × 267 · Whann 5×7 · Thomas 2.75×4 · KEENER 6×8 · quarter-arch pair 89×124 ea · pier pair 99 × 232 ea · pills 201×150, 185×109, 166×99, 128×90. The only custom cut in the whole weekend is the gold frame.

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